By
KATIE
HALL
Living and
Leisure
Editor
Cortland
Repertory
Theatre's
"Damn
Yankees!"
was
masterful in
its
opener
Wednesday
at the
Little York
Pavilion
Theatre.
I
was
dreading
a musical about
baseball, a
sport
that
escapes me, and
yet here
was a
piece
about
love
and
marital
fidelity
that
never
even
portrayed
an
actual
game.
But
all the
elements
of the
game
were
there:
its
sound,
its
feel,
the
passion of
the
players and
the
fans.
Directed
by Jim
Bumgardener,
the
show
will
be a
hit
with
music
lovers,
baseball
aficionados
and
anyone
who
likes a
good
story.
About
two and a
half
hours, the
play
runs
through July
18
at
the Edward
Jones
Playhouse
in
the
Dwyer
Memorial
Park
off
Route
281.
People
can
call
800-427-6160
for
tickets.
Joe
Boyd,
played
by
Jef
Canter, a
middle
aged
Washington
Senators
fan,
makes
a
deal with
the
devil,
"Applegate"
played by
Dominick
Varney,
to
become a
20-something
year
old
baseball
star and
take his
losing
Washington
Senators
to the
championship.
He is
transformed
into
Joe
Hardy,
played
by
the
younger
Peter
Carrier,
who
proceeds to
turn
the
team
around
with
win
after
win. But
Joe
misses
his
wife
and home
and
the
devil
is
determined to
get
his
soul
into
hell.
The
question is:
will
he
lose
his
life
for
the
game,
or
opt for
his
quiet life
with
his
wife
and
job
as a
real
estate
agent?
George
Abbott
and
Douglass
Wallop
wrote the
book for the show,
based
on
Wallop's "Thy
Year the Yankees Lost
the
Pennant."
It
opens
with
'.'Six
Months
Out
of
Every
Year,"
with
a
set of
housewives,
including
Joe's
own
Meg,
played
by
Erica
Livingston,
singing
their
lament at
being
bored
while their
husbands
are
glued
to
the TV sets
watching
the
game.
The
men
roll
on
chairs,
the
women
funnel
them
beers,
three
or
four
duets are
danced
out
in
song. The
women
are
ignored
as
the men
yell,
"Damn
Yankees"
as
their
beloved
Senators
screw
up a
hit.
"Thrown
out
at
home,"
one
yells.
"I
know
the
feeling,"
the
wife
sings.
The
choreography
is one of
the
strong
points
here.
Props to
musical
director David Hahn,
dance
captain
Jared
Titus and
choreographer
Daniel
.B.
Hess;
as
well
as
Bumgardener, as
they
work the
piece
on
this
little
stage.
"Blooper
Ballet"
and
"Shoeless Joe
from Hannibal,
Mo."
were
also
stand
outs.
The
men
who
played
the
Senators
were a
pleasure
to
watch
by
the
way.
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And the
.stage
design
was
clever.
The bright
green
stage
floor is
actually a
baseball
diamond
with
three sets
of
field
lights at
jaunty
angles along
the
back.
But that
becomes
backdrop
in
other
scenes,
where
pieces
are rolled
out
to convey
the
men's
locker
room,
Joe and
Meg's
home, or
an
assembly
of a
baseball
commission,
when Joe
is
taken to
task
for
his
identity.
I
loved how
the tech
crew
created the
devil's
own
limbo area
in
one
scene
and
juiced
up
the
devil's
magic
with
the
lights
and
sound.
This
is
my
first
time
watching
this
musical,
and
the
songs
and
lyrics,
written
by
Richard
Adler
and
Jerry
Ross,'
are
very
appealing.
I
loved
"Goodbye Old
Girl"
with
both
Canter’s and
Carrier's
voices.
And
temptress
Lola,
played
by
Alyson
Tolbert
is an
absolute
riot in
her "Whatever
Lola
Wants
(Lola
Gets),"
as
she
tries
to seduce
Joe
Hardy.
Gloria
Thorpe, played
by
Meghan
Rozak,
is the
reporter
trying to get
a story.
She's
great.
Rozak
and
Livingston'
are no
light
weights
in
the
music
department.
Rozak
belts
it
out
in
"Shoeless
Joe
from
Hannibal,
Mo."
while
Livingston is
poignant in
"A Man
Doesn't
Know."
Varney,
cast
as the
devil,
Applegate,
is in
his
forte
here,
spewing
out
his
outrageous
lines,
having
all
sorts
of
fun
with
hellish
allusions,
and
strutting his
bad-boy
image.
He
proves
he
can
sing with
"Those
Were the Good Old Days"
in
the
middle-of Act
II.
Though
I
have
to
say,
he
finished the
piece and
we
applauded
and
then
as
if
in
answer to
someone
in
the
audience,
he
went
into
another
round
of
the
song.
That
was
pushing it
at that point for
me,
when
I'm
checking
my
playbill,
to
see
how
long
we
have
to
go.
I
love
Varney,
but it's
time
to
move on.
If
I
owned
the
rights to
this
musical,
I'd
cut
his
reprise there
and "Near to
You"
in the
second act, to
speed things
along.
But
all in
all,
"Damn
Yankees”
was'
an
amazing
piece
of
work,
and
a
great
choice
for a
three-week
run. |